I’m a writer who loves reading novels, encompassing everything from romance to historical and crime. I've always loved resilient female characters in the books I've read, from children’s fiction onward. When I started writing The Low Road I didn’t know that a couple of years later we as a family would experience multiple bereavement in just a few months, and that grief is imbued in every page of the novel. In The Low Road, I hope I've also paid homage to the power of women, that dogged and patient holding on and enduring of pain, that is at the heart of so many of the lives we live as girls and women.
I can’t remember the first time that I read Persuasion, but I re-read it every year for the depth and empathy with which Austen brings Anne to life, as well as she draws other characters.
At the beginning of the novel Anne Elliot is presented as a young woman who has lost nearly everything – her mother at a tender age, the love of her life, and is about to lose her home. She has a cold and unsympathetic father and sisters and very little else.
The deed is done and she has to move from her home, but it is when she comes to Bath, and has to confront the man she loved and lost that she actually, truly, begins to live again.
It is a book for all those who have loved and lost and who find the strength to pick themselves up, believe in their own judgment, rather than those of others, and live and love again more fully.
'In Persuasion, Jane Austen is beginning to discover that the world is larger, more mysterious, and more romantic than she had supposed' Virginia Woolf
Jane Austen's moving late novel of missed opportunities and second chances centres on Anne Elliot, no longer young and with few romantic prospects. Eight years earlier, she was persuaded by others to break off her engagement to poor, handsome naval captain Frederick Wentworth. What happens when they meet again is movingly told in Austen's last completed novel. Set in the fashionable societies of Lyme Regis and Bath, Persuasion is a brilliant satire of vanity and pretension,…
This book is responsible for me missing my tube stop on my way to work so as you can imagine I found it a riveting read.
Michelle Styles is a well-known romance writer who has written a number of Viking-era romances. I enjoyed this one in particular, because I loved the main character, Dagmar Kolbeindottar. She is a warrior, not a lover, or so she thinks – until she is captured by the Celtic warlord, Aedan Mac Connal, who has been commanded by her father, under duress himself, to bring her back.
Her father then forces her to make a choice and marry – and she choses Aedan, hoping he will refuse her. Cue misunderstandings, passionate trysts, and an ending that is truly satisfying, as well as brilliant atmosphere and creation of characters including doughty Dagmar.
A Viking maiden heading to battle... ...in bed with her captor! As a female warrior, Dagmar Kolbeinndottar knows she's not meant for marriage and a family. Until she's kidnapped by Celtic warlord Aedan mac Connall, who has been tasked with returning Dagmar to her estranged father. Fighting her father's orders to marry, Dagmar declares she will take no one but her abductor, expecting Aedan to refuse... But he's intent on making her his bride!
Anyone who has spent any time in the world of journalism can recognise the flawed but ultimately lovable character of Thorn Marsh, Marika Cobold’s main character, who like far too many reporters, myself included, is far too often concentrated on her work rather than on living in the real world of human relationships.
Journalistic ethics should define us and our work, but Thorn falls from grace (or rather crosses a line). When her paper is taken over, she is placed on a mid-week supplement and is pushed for heart-warming clickbait. She actually makes up a story about an angel appearing on the Heath, crossing many a journalistic line in doing so.
Cue a tale about love, honour, loyalty, and how to pick yourself up when you’ve done wrong – and had wrong done to you. I loved Thorn. Hopefully she will reappear in another novel by Marika Cobbold one day soon.
"A mystery and an elegy for the death of old-fashioned journalism, it's a book that will warm your heart" The Observer
"Splendid . . . Funny, poignant, perceptive and plenty of sharp elbows along the way" Val McDermid
Thorn Marsh was raised in a house of whispers, of meaningful glances and half- finished sentences. Now she's a journalist with a passion for truth, more devoted to her work at the London Journal than she ever was to her ex-husband.
When the newspaper is bought by media giant The Goring Group, who value sales figures over fact-checking, Thorn openly questions their…
There is a shelf in the hallway full of battered books by women I read when I was a student and shortly afterwards – the books that I read and gave me those shivers of recognition – of feeling that this writer is speaking directly to me.
At some point some other young feminist must have told me, read this. And I did, and I can still remember certain passages that I read and re-read and sometimes copied out in my spidery handwriting to act as my mantras, then and now.
It’s a call to arms, it’s a passionate beating of the female breast, it’s the making of the heroine that we all need as women – Britain’s first feminist who spoke for quirky females everywhere when she wrote in a letter to her sister Everina, “I am not born to tread in the beaten track.”
But this is digression, for there’s nothing more thrilling than Wollstonecraft writing in Vindication that she wishes women not to have power of men, “but over themselves.” A heroine who picked herself and others up so many times – and wrote the books to encourage every generation since.
Writing just after the French and American revolutions, Mary Wollstonecraft firmly established the demand for women's emancipation in the context of the ever-widening urge for human rights and individual freedom that followed in the wake of these two great upheavals. She thereby opened the richest, most productive vein in feminist thought; and her success can be judged by the fact that her once radical polemic, through the efforts of the innumerable writers and activists she influenced, has become the accepted wisdom of the modern era. The present edition contains a substantial essay by a major scholar to celebrate the bicentenary…
I read this years ago and then devoured all of Nawal el Sadawi’s books, fiction and non-fiction.
I have Iranian heritage on my birth father’s side and have always been fascinated in the life I could have lived as an Iranian girl, if I had been raised there instead of the UK.
So reading Nawal ed Sadawi’s books, set in Egypt where she was born, educated, and worked as a doctor and writer, gave me an insight I really wanted into Islamic societies and how women can live in them.
Woman at Point Zero is harrowing, brilliant, immersive, and painful, taking as its theme the story of Firdaus, who tells the story of why she has killed a man before she is executed. She explains why and her courage and eloquence have stayed with me ever since.
We need these stories of women on the edge who still, somehow, resist and refuse to conform, even if they pay the greatest of prices for their bravery.
'An unforgettable, unmissable book for the new global feminist.' The Times
'All the men I did get to know filled me with but one desire: to lift my hand and bring it smashing down on his face.'
So begins Firdaus's remarkable story of rebellion against a society founded on lies, hypocrisy, brutality and oppression. Born to a peasant family in the Egyptian countryside, Firdaus struggles through childhood, seeking compassion and knowledge in a world which gives her little of either. As she grows up and escapes the fetters of her childhood, each new relationship teaches her a bitter but liberating…
Norfolk, 1813. In the quiet Waveney Valley, the body of a woman – Mary Tyrell – is staked through the heart after her death by suicide. She had been under arrest for the suspected murder of her newborn child. Mary leaves behind a devastated young daughter, Hannah, who is later sent away to the Refuge for the Destitute in London, where she will be trained as a servant.
It's at the Refuge that Hannah meets Annie Simpkins, a fellow resident, and they forge a friendship that deepens into passionate love. But the strength of this bond is put to the test when the girls are caught stealing from the Refuge's laundry, and they are sentenced to transportation to Botany Bay, setting them on separate paths that may never cross again.
I lived in Latin America for six years, working as a red cross volunteer, a volcano hiking guide, a teacher, and an extra in a Russian TV series (in Panama). Having travelled throughout the region and returning regularly, I’m endlessly fascinated by the culture, history, politics, languages, and geography. Parallel to this, I enjoy reading and writing about the world of international espionage. Combining the two, and based on my own experience, I wrote my novel, Magical Disinformation, a spy novel set in Colombia. While there is not a huge depth of spy novels set in Latin America, I’ve chosen five of my favourites spy books set in the region.
This book is a spy novel with a satirical edge which will take you on a heart-pumping journey through the streets, mountains, jungles, and beaches of Colombia. Our Man in Havana meets A Clear and Present Danger.
In the era of ‘fake news’ in the land of magical realism, fiction can be just as dangerous as the truth...
Discover Lachlan Page’s Magical Disinformation: a spy novel with a satirical edge set amongst the Colombian peace process. Described by one reviewer as “Our Man in Havana meets A Clear and Present Danger.”
Oliver Jardine is a spy in Colombia, enamoured with local woman Veronica Velasco.
As the Colombian government signs a peace agreement with the FARC guerrillas, Her Majesty’s Government decides a transfer is in order to focus on more pertinent theatres of operation.
